operation odessa showtime

Operation Odessa Showtime - Operation Odessa, Netflix's latest crime documentary, is a thrilling and exhilarating ride.

“So for these three people, one with an Israeli passport, one with, I think, a Cuban passport and one with a Venezuelan passport… They just walked into the base – and they didn't just walk through the base, they gave ID.

Operation Odessa Showtime

From the database. They are drug traffickers criminals get access to submarine base to see and see boat in Russian base. It's just unheard of." Spoken by Alex Jasiewicz, the undercover agent investigating the trio, these words capture the madness, drama and seeming improbability of the events described.

Operation Odessa' Review: Soviets, Subs And Lots Of Cocaine

, Netflix's latest crime documentary, is a thrilling, breathtaking, elegant and highly entertaining journey that weaves spies, drug dealers, arms dealers, gangsters and the weight of history into a story that would be furiously dismissed if it were fiction.

History will always be the protagonist of Tiller Russell's documentary. Having access to its three larger-than-life characters, it packs in bold, loud graphics and catchy music between entries to emphasize the crazy chill of the story. But Tarzan, Juan Almeida, and Tony Yester and their effortless, easy-going style of tackling the spin and getting in and out of potentially life-threatening situations will keep audiences glued to the screen. These actions have serious geopolitical consequences, the weight of which is completely lost on them. It all seems like a case of kid-friendly RPGs taken too far. What else would you say if you were told that these three men got together in the mid-1990s to buy a Soviet-era submarine and sell it to one of the biggest drug cartels in the world, based in Colombia. Or that at some point Almeida successfully impersonated Pablo Escobar in front of the Russian mafia and walked away with a Colombian cocaine distribution deal.

In short, with so much outrageous material at his disposal, along with three characters to tell his own story with, Russell's job was simply to fit the facts and structure of the story as best he could. He is very attracted to it

Palette, he involves employees of the Drug Enforcement Agency, who worked on this case and produced a funny crackerjack film.

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More than once while watching Russell's film. Here are these three boys who live richly on the suffering of thousands of people affected by drug trafficking. They're clearly having a lot of fun, and more importantly, they seem to be getting away with it. As ordinary Russians take to the streets to celebrate the fall of the Soviet empire and the dawn of a new hope, the troika is already halfway through a cheap and nearly useless arms deal. Ironically, audiences enjoy watching their many escapades and get carried away by the ending of the story. Surplus cinema, total. Questions of moral responsibility seem to be thrown in the dustbin. We are mesmerized by the lavish images, the lavish lifestyles and the blinding glamor that seems to fuel anything that is thrown at the camera. It is a well that invites us to question our assessment of these charismatic characters and cheerfully uncork bottles of champagne next to them. In a world increasingly obsessed with images dancing across screens large and small, excessive cinema bombards our consciousness with a thunderous bang.

Even real-life characters are less represented as movie stars. Tony Yester is reminiscent of Tony Montana's occasional cinephile played by Harvey Keitel. Tarzan is a Russian immigrant with one foot in a pool of sweat and the other in cash, and Almeida is a rich, silver-tongued Christopher Hitchens, if only Hitchens would choose the other side of the story. Everything is huge: planes, escapades, helicopters and submarines. It's probably not the time to step back and look at the mess they've made in their lifetimes.

Maybe that's the point. Russell uses the cinematic setting to such an extent that even the mundane details of the trio's lives seem bright and interesting. It seems to be a cinema where the director not only chooses not to judge his audience of him, but also asks them to join this new drug that he has developed. Movies as heroine. Movies like cocaine. It's as if he knows, as a reformed addict, that the moment the high wears off and withdrawal sets in, every viewer will be confronted with the very thing they've been trying to escape from in the first place: choice. And

He tells you you can go through hell before reality gets a foot in the door.

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Operation Odessa (2018) Official Trailer Showtime Documentary On Vimeo

A Russian mobster, a Miami gambler and a Cuban spy try to get the Russian mob, the Cali cartel and the DEA for life by selling a Soviet submarine to a Colombian drug cartel for $35 million.

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Operation Odessa: How A Russian Mobster Tried To Sell A Soviet Sub To Coke Smugglers

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Operation Odessa, Brent Eaton, Dea, Special Agent In Charge, 2017. © Showtime /courtesy Everett Collection Stock Photo

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